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Unlike traditional transient shapers, Smack Attack lets you control more than just attack and sustain levels; you also get pinpoint control over the transients’ shape and duration. You can make a kick tighter than you’d ever imagined – or give your snares that extra crack. While other Digital Vinyl Systems (DVS) enslave the DJ by forcing him to buy and to use specific hardware, Quad lets you choose your favourite soundcard - in fact any ASIO soundcard will do, as long as it's ASIO compatible and offers enough outputs and inputs for your needs (typically a soundcard with 4 mono inputs and 4 mono outputs is good for 2 decks).
Whatevermusic you make (maybe with the exception of some ambient styles), havingbalanced transients is super important for a good mix. Transient shapers can giveyou more control over the dynamics of your transients by changing their amp envelopeshape. This could be in the form of increasing the transient and adding morelife to a sound or by decreasing it and tucking the sound more into thebackground, for example.
Unlike compressors, there are only a handful of free transient shapers available. For this article, I tested several different free transient shaper VST, AU and AAX plugins and made a few awesome discoveries. Here’s the list – download links included:
Free Transient Shapers (VST, AU, AAX)
Flux: BitterSweet v3
Format: VST, AAX, AU; 32 bit + 64 bit
OS: Windows + Mac
OS: Windows + Mac
Dry:
Statistical analysis software free download for mac. Wet – “Bitter”:
Wet – “Sweet”:
FluxBitterSweet was created with simplicity in mind. This becomes clear from justlooking at the user interface. A big knob in the middle lets you choose ifyou’d like your sound rather “sweet” or “bitter”. Turning the knob towards“sweet” will reduce transients in volume and will put your audio materialfurther into the background, while turning it towards “bitter” will increasetransients and make your material more percussive.
To make thetransient shaper work with any type of material, you can choose how fast theplugin detects transients (fast, medium, slow). With the “period” slider, youcan adjust how fast the transient declines again.
But what ifyou want to only affect the transients in the middle or on the sides of thestereo field? No problem – BitterSweet has a dedicated slider that lets youchoose which signal should be affected: main (everything), center (the middle)or stereo (the sides).
The output levelcan be adjusted manually or linked to the main knob. If you link knob andoutput level, the overall volume will decrease when you’re increasingtransients. This is super convenient because it means you don’t constantly haveto adjust the volume while playing with your transient levels.
Flux BitterSweet is probably the most popular free transient designer out there, and there is a reason for that: It’s very hard to mess up with this one. Getting results with the bitter/sweet knob is easy and doesn’t really lead to extreme results, even if you turn it completely up or down. However, this also means that BitterSweet is a lot more subtle than other free transient shapers. Whether that’s good or bad will depend on your taste and project. However, for general mixing purposes, this plugin is definitely worth a try.
To use Flux BitterSweet v3, you first have to install Flux Center, which you can get here. When you open Flux Center, simply choose BitterSweet for installation.
Auburn Sounds: Couture
Format: VST2, VST3, AU, AAX
OS: Windows + Mac
OS: Windows + Mac
Audio Examples
Dry:
Wet – “Sharpened”:
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Wet – “Softened”: Feeling myself mac dre.
Here’s how the developer Auburn Sounds describes its level-independent transient designer Couture: “COUTURE’s goal is to get exquisite control over your dynamics, and particularly attacks. It solves a surprisingly huge range of mixing problems, with very low effort.”
In Couture,the main transient adjustment can be done with a big knob that’s labeled “Sharpen”.Turning this to the right will sharpen (increase) attacks and deemphasizereleases, while turning it to the left does the opposite. This effect can bedramatically heightened by using the x1 / x2 / x3 buttons, which affects howmuch the shaping is applied. To have maximum control over your material, youcan adjust the speed knob, which controls the decay level of your transients andthe front/back knob, which tells Couture where in the transient it should startwith the desired shaping effect.
The choicebetween different detector modes is a useful feature, which allows you toeither treat all transients the same way or depending on harmonic content. “Sybil”targets harsh frequencies and “Human” is supposed to even out the perceivedlevels of the transients, while “Flat” processes all transients the same way. Youcan also decide how much Couture should react to bass frequencies. This can beuseful when you only want to shape your snare sound in a kick and snare loop,for example.
In this free version of Couture, the built-in saturator does not work. However, even without it, Couture is a very useful tool that makes it easy to get control over your transients quickly. Jabber 12.5 mac download. I found it very intuitive and the results sounded very musical to me.
You can get the free version of Couture on the Auburn Sounds website.
Digital Fish Phones: Dominion
Format: VST; 32 bit
OS: Windows + Mac
OS: Windows + Mac
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Audio Examples:
Dry:
Game shark 41 ps2 iso download. Wet – more attack, less sustain:
Wet – less attack, more sustain:
Dominion, created by Sascha Eversmeier from Digital Fish Phones, is actually quite an old tool as it was released in 2002! Still, I found it very useful and loved how easy it was to shape sounds to my liking.
What’s niceabout Dominion is that you have dedicated sliders for attack and sustain. Aftersetting the level of attack and sustain, you can set each one’s “length”parameter, which controls the decay of each setting. If you need more dramaticresults, you can switch on the x2 button and affect the level even more.
But this isnot Dominion’s only feature. The VST plugin also has a built-in saturator thatcan add harmonics to transients and therefore emulate analog equipment. Thesaturation can be further affected with a filter section (“hf details” in theuser interface). I found the saturation rather subtle (which I’m sure was thegoal), but pleasant and interesting.
If youchoose to download Dominion, make sure to take a look at the included manual. Notonly does it lay out the signal flow of the plugin, it has in-depth descriptionsof how each element works and can teach you quite a bit about transient shapingin general. It’s really cool that the developer put so much effort into makingthis plugin easy to use.
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Warning:Trying out the “mono” switch created a very loud glitch signal for a second orso. Avoid switching this on while it’s processing sound.
Since Dominion is an older plugin, only a 32 bit VST version is available (for both Mac and Windows). You can get the plugin here.
Sonic Anomaly: Transpire
Format: VST (Windows) – 32 + 64 bit; JSFX (Windows + Mac)
OS: Windows + Mac
OS: Windows + Mac
Audio examples:
How to download serum presets. Wet – more attack, less sustain:
Wet – less attack, more sustain:
Are you looking for a simple transient shaper with transparent sound and easy controls? Then you might want to check out Transpire by Sonic Anomaly. Transpire comes with just four controls: attack, sustain, sensitivity and output. This means that you have less control over your transients than with other plugins, but it also means that Transpire is somewhat easier to use – especially if you’re a beginner.
Thedevelopers from Sonic Anomaly stress that Transpire “does not operate linearly,which means small transients are being affected relatively stronger than largetransients. This is good for bringing up smaller details while not overloadingon large hits. As a result, percussive tracks can sound more steady andcontrolled compared to traditional transient enhancers.”
![Download Download](/uploads/1/2/6/8/126858301/373545950.jpg)
I foundthat this plugin can change signals in pretty extreme ways. More musicalresults can be achieved with more conservative settings – although this will,of course, 100% depend on your source material.
One feature that should be mentioned is that Transpire’s GUI is scalable – which is very helpful to anyone with a larger screen. A downside is that the VST version only works in Windows (although there is a JSFX version that is compatible with Mac).
Alternatives
- Transient Shaper Ableton Rack (Ableton Live)
- ATKTransientShaper (VST2 / VST3/ AU / AUv3 / Windows / Mac / 32 bit + 64 bit)
- Sleepy Time DSP Transient (VST / Windows / 32 bit + 64 bit)
Over to you…
Did weleave out any free transient shaper plugin that you love? Let us know in thecomments!
INSTANT DYNAMIC CONTROL
- Bring sounds from the back of the mix to the front
- Enhance attack on drums and percussion
- Fix muddy recordings, or reduce reverb
MEET YOUR MASTER
Must-have dynamics effect. Enhance attack, control mix presence, fix problem recordings — the secret spice in your mix.
THE MAGIC WAND OF DYNAMICS PROCESSORS
Based on a studio favorite, TRANSIENT MASTER is a must-have dynamics effect — uniquely powerful, deceptively simple and extremely useful. It's the go-to tool for positioning drums and percussion, letting you mix from front to back and dial-in just the right amount of space.
TRANSIENT MASTER is also a mix-fix for problematic recordings and with only three knobs — Attack, Sustain and Gain — it’s quick and easy to use. Shape your sound, and make TRANSIENT MASTER the secret spice in your mix.
TRANSIENT MASTER runs as a stand-alone plug-in within your host software.
DOWNLOAD FREE DEMO
TRANSIENT MASTER is also a mix-fix for problematic recordings and with only three knobs — Attack, Sustain and Gain — it’s quick and easy to use. Shape your sound, and make TRANSIENT MASTER the secret spice in your mix.
TRANSIENT MASTER runs as a stand-alone plug-in within your host software.
DOWNLOAD FREE DEMO
FOR DRUMS AND PERCUSSION
TRANSIENT MASTER can make radical changes to a sound, or just add subtleties. Fine-tune both Attack and Sustain to get exactly the right sound for your beats.
Raise the Attack for assertive kicks and crisp snares, or apply TRANSIENT MASTER to the whole drum group for added punch and definition. Reduce Attack to calm things down — on a hissing hi-hat, for example. The sound becomes less aggressive, and blends further back into the overall mix.
'Sustain' controls room sound and space. Make snares ring out or add depth to the whole drum group by raising Sustain. Reduce Sustain to tighten things up or kill long reverb tails.
Raise the Attack for assertive kicks and crisp snares, or apply TRANSIENT MASTER to the whole drum group for added punch and definition. Reduce Attack to calm things down — on a hissing hi-hat, for example. The sound becomes less aggressive, and blends further back into the overall mix.
'Sustain' controls room sound and space. Make snares ring out or add depth to the whole drum group by raising Sustain. Reduce Sustain to tighten things up or kill long reverb tails.
FOR GUITARS AND OTHER INSTRUMENTS
TRANSIENT MASTER is great on any instrument with intrinsic attack. If a guitar track has too much pick sound, apply TRANSIENT MASTER and reduce the Attack. To liven things up, raise the Attack — the additional bite at the onset of each note adds presence.
Use 'Sustain' to correct room sound on recordings. For a guitar track with muddy reverb, apply TRANSIENT MASTER and lower the Sustain to choke the reverb. Add subtle Attack, and your guitar is now crisp, lively, and sitting at the front of your mix.
TRANSIENT MASTER can even put life back into pre-processed, over-compressed tracks. When nothing else works, TRANSIENT MASTER can provide an instant mix-fix at the turn of a dial.
Use 'Sustain' to correct room sound on recordings. For a guitar track with muddy reverb, apply TRANSIENT MASTER and lower the Sustain to choke the reverb. Add subtle Attack, and your guitar is now crisp, lively, and sitting at the front of your mix.
TRANSIENT MASTER can even put life back into pre-processed, over-compressed tracks. When nothing else works, TRANSIENT MASTER can provide an instant mix-fix at the turn of a dial.
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FOR MIXING
TRANSIENT MASTER is indispensible for mixing drums, guitars, pianos, plucked strings — anything with intrinsic attack. It gives you another axis to work on. As well as panning left and right, you can position things quite precisely at the front or back of a mix without juggling volume levels.
Generally, more Attack and less Sustain brings a sound to the front; less Attack and more Sustain blends a sound into the background. Even before EQ, you can effectively 'stack' sounds according to the priorities of a particular mix.
Generally, more Attack and less Sustain brings a sound to the front; less Attack and more Sustain blends a sound into the background. Even before EQ, you can effectively 'stack' sounds according to the priorities of a particular mix.
HOW IT WORKS
Transients are non-tonal material at the onset of a sound. The Attack control emphasizes or de-emphasizes transients, making a sound more or less lively without affecting the overall level. The Sustain control cuts or lengthens the sustain part of a sound.
TRANSIENT MASTER effectively re-shapes the envelope, affecting the sound at its source. Engineers agree that this 're-shaping' delivers particularly natural and musical results — and it's quick and easy to get there, thanks to the simple, three-knob design. Try TRANSIENT MASTER, and you'll wonder how you ever managed without it.
TRANSIENT MASTER effectively re-shapes the envelope, affecting the sound at its source. Engineers agree that this 're-shaping' delivers particularly natural and musical results — and it's quick and easy to get there, thanks to the simple, three-knob design. Try TRANSIENT MASTER, and you'll wonder how you ever managed without it.
AT A GLANCE
Product type | KOMPLETE effect |
For use with | Any host software as native plug-in |
Effect category | Dynamics processor |
Size (Mac / PC) | Mac: 75 MB, PC: 33 MB |
User Manual | Download Manual |
SYSTEM REQUIREMENTS
macOS 10.12, 10.13, 10.14 or 10.15 (latest update), i5, 4 GB RAM
Windows 7, Windows 8, or Windows 10 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM
An Internet connection and a graphics card that supports OpenGL 2.1 or higher are required to download and activate this product. Once installed and activated, the product can be used offline.
Supported interfaces:
Windows (64-bit only): VST, AAX
Mac OS X (64-bit only): VST, AU, AAX
Windows 7, Windows 8, or Windows 10 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM
An Internet connection and a graphics card that supports OpenGL 2.1 or higher are required to download and activate this product. Once installed and activated, the product can be used offline.
Supported interfaces:
Windows (64-bit only): VST, AAX
Mac OS X (64-bit only): VST, AU, AAX